Emily Dickinson and Caitlin Seida on Hope

“Hope” is the thing with feathers

BY EMILY DICKINSON

“Hope” is the thing with feathers –
That perches in the soul –
And sings the tune without the words –
And never stops – at all –

And sweetest – in the Gale – is heard –
And sore must be the storm –
That could abash the little Bird
That kept so many warm –

I’ve heard it in the chillest land –
And on the strangest Sea –
Yet – never – in Extremity,
It asked a crumb – of me.

(1861)

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Hope Is Not a Bird, Emily, It’s a Sewer Rat

by Caitlin Seida

Hope is not the thing with feathers
That comes home to roost
When you need it most.

Hope is an ugly thing
With teeth and claws and
Patchy fur that’s seen some shit.

It’s what thrives in the discards
And survives in the ugliest parts of our world,
Able to find a way to go on
When nothing else can even find a way in.

It’s the gritty, nasty little carrier of such
diseases as
optimism, persistence,
Perseverance and joy,
Transmissible as it drags its tail across
your path
and
bites you in the ass.

Hope is not some delicate, beautiful bird,
Emily.
It’s a lowly little sewer rat
That snorts pesticides like they were
Lines of coke and still
Shows up on time to work the next day
Looking no worse for wear.

(from My Broken Voice, 2018)

Denice Frohman – “Accents”

Accents

by Denice Frohman

my mom holds her accent like a shotgun
with two good hands

her tongue
all brass knuckle
her hips, are all laughter and wind clap

she speaks a sanchocho of spanish and english,
pushing up and against one another in rapid fire

there is no tellin’ my mama to be “quiet,”
my mama don’t know “quiet”

her voice is one size
better fit all and you best not
tell her to hush, she waited
too many years for her voice to arrive
to be told it needed house-keeping.

english sits in her mouth remixed
so “strawberry” becomes “eh-strawbeddy”
and “cookie” becomes “eh-cookie”
and kitchen, key chain, and chicken
all sound the same.

my mama doesn’t say “yes”
she says, “ah ha”
and suddenly
the sky in her mouth
becomes Hector Lavoe song.

her tongue
can’t lay itself down
flat enough
for the english language.

it got too much hip,
too much bone,
too much conga,
too much cuatro
to two step,
got too many piano keys
in between her teeth
it got too much clave
too much hand clap,
got too much salsa to sit still

it be an anxious child wanting
to make Play-Doh
out of concrete, english
be too neat for
her kind of wonderful

her words spill in conversation
between women whose hands are all they got
sometimes our hands are all we got,
and accents that remind us
that we are still bomba, still plena

say, “wepa!”
and a stranger becomes your hermano,
say, “dale!”
and a crowd becomes a family reunion.

my mama’s tongue is a telegram from her mother
decorated with the coqui’s of el campo,

so even when her lips can barely
stretch themselves around english,
her accent
is a stubborn compass
always pointing her
towards home…

Sarah Kay – “B” (If I Should Have a Daughter)

 

If I should have a daughter, instead of mom, she’s going to call me Point B,

because that way she knows that no matter what happens,
at least she can always find her way to me.

And I am going to paint the Solar Systems on the backs of her hands,
so she has to learn the entire universe before she can say ‘Oh, I know that like the back of my hand’

And she’s going to learn that this life will hit you,
hard,
in the face,
wait for you to get back up, just so it can kick you in the stomach
but getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air.

There is hurt, fear that cannot be fixed by band aids or poetry
so the first time she realizes that Wonder Woman isn’t coming
I’ll make sure she knows she does not have to wear the cape all by herself
because no matter how wide you stretch your fingers,
your hands will always be too small to catch all the pain you want to heal.

Believe me, I’ve tried

And baby, I’ll tell her, don’t keep your nose up in the air like that
I know that trick, I’ve done it a million times
You’re just smelling for smoke so you can follow the trail
back to a burning house so you can find the boy who lost everything in the fire
to see if you can save him.

Or else find the boy who lit the fire in the first place to see if you can change him
But I know she will anyway, so instead, I’ll always keep an extra supply of chocolate
and rainboots nearby.

Because there is no heartbreak that chocolate can’t fix.
Ok, there’s a few heartbreaks that chocolate can’t fix,
but that’s what the rainboots are for because rain will
wash away everything if you let it.

I want her to look at the world through the underside of a glass bottomed boat
To look through a microscope at the galaxies that exist on the pinpoint of a human mind
Because that’s the way my mom taught me.

That there’ll be days like this
that there’s be days like this my mama said
When you open your hands to catch, and wind up with only blisters and bruises.
When you step out of the phone booth and try to fly

And the very people you want to save are the ones standing on your cape
When your boots will fill with rain and you’ll be up to your knees in disappointment
and those are the very days you have all the more reason to say thank you

because there’s nothing more beautiful than the way the ocean refuses to stop
kissing the shoreline no matter how many times it is sent away.

You will put the win in winsome … lose some
You will put the star in starting over and over.

And no matter how many landmines erupt in a minute
be sure your mind lands on the beauty of this funny place called life.
And yes, on a scale from one to overtrusting, I am pretty damn naive.

But I want her to know that this world is made out of sugar.
It can crumble so easily.
But don’t be afraid to stick your tongue out and taste it.
Baby, I’ll tell her, remember your mama is a worrier
and your papa is a warrior.

And you’re the girl with small hands and big eyes who never stops asking for more.
Remember that good things come in threes and so do bad things and
always apologize when you’ve done something wrong

but don’t you ever apologize for the way your eyes refuse to stop shining,
your voice is small but don’t ever stop singing.

And when they finally hand you a heartache,
when they slip war and hatred under your door and offer you handouts on street corners
of cynicism and defeat, you tell them that
they
really ought to meet your mother.

B” (If I Should Have a Daughter) by Sarah KayB