Poem 17: Ozymandias by Percy Shelley

I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.”

Poem 16: America by Claude McKay

Although she feeds me bread of bitterness,
And sinks into my throat her tiger’s tooth,
Stealing my breath of life, I will confess
I love this cultured hell that tests my youth!
Her vigor flows like tides into my blood,
Giving me strength erect against her hate.
Her bigness sweeps my being like a flood.
Yet as a rebel fronts a king in state,
I stand within her walls with not a shred
Of terror, malice, not a word of jeer.
Darkly I gaze into the days ahead,
And see her might and granite wonders there,
Beneath the touch of Time’s unerring hand,
Like priceless treasures sinking in the sand.

Poem 15: Sonnet 130 by William Shakespeare

My mistress’ eyes are nothing like the sun;
Coral is far more red, than her lips red:
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound:
I grant I never saw a goddess go,
My mistress, when she walks, treads on the ground:
And yet by heaven, I think my love as rare,
As any she belied with false compare.

Poem 14: Shakespearean Sonnet by R. S. Gwynn

With a first line taken from the tv listings

A man is haunted by his father’s ghost.
Boy meets girl while feuding families fight.
A Scottish king is murdered by his host.
Two couples get lost on a summer night.
A hunchback murders all who block his way.
A ruler’s rivals plot against his life.
A fat man and a prince make rebels pay.
A noble Moor has doubts about his wife.
An English king decides to conquer France.
A duke learns that his best friend is a she.
A forest sets the scene for this romance.
An old man and his daughters disagree.
A Roman leader makes a big mistake.
A sexy queen is bitten by a snake.

Poem 13: The Hollow Men by T.S. Eliot

Mistah Kurtz-he dead
A penny for the Old Guy

I

We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
Or rats’ feet over broken glass
In our dry cellar

Shape without form, shade without colour,
Paralysed force, gesture without motion;

Those who have crossed
With direct eyes, to death’s other Kingdom
Remember us-if at all-not as lost
Violent souls, but only
As the hollow men
The stuffed men.

II

Eyes I dare not meet in dreams
In death’s dream kingdom
These do not appear:
There, the eyes are
Sunlight on a broken column
There, is a tree swinging
And voices are
In the wind’s singing
More distant and more solemn
Than a fading star.

Let me be no nearer
In death’s dream kingdom
Let me also wear
Such deliberate disguises
Rat’s coat, crowskin, crossed staves
In a field
Behaving as the wind behaves
No nearer-

Not that final meeting
In the twilight kingdom

III

This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man’s hand
Under the twinkle of a fading star.

Is it like this
In death’s other kingdom
Waking alone
At the hour when we are
Trembling with tenderness
Lips that would kiss
Form prayers to broken stone.

IV

The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms

In this last of meeting places
We grope together
And avoid speech
Gathered on this beach of the tumid river

Sightless, unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death’s twilight kingdom
The hope only
Of empty men.

V

Here we go round the prickly pear
Prickly pear prickly pear
Here we go round the prickly pear
At five o’clock in the morning.

Between the idea
And the reality
Between the motion
And the act
Falls the Shadow
For Thine is the Kingdom

Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow
Life is very long

Between the desire
And the spasm
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow
For Thine is the Kingdom

For Thine is
Life is
For Thine is the

This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.

Poem 12: Dulce et Decorum Est by Wilfred Owen

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots,
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of gas-shells dropping softly behind.
Gas! GAS! Quick, boys!—An ecstasy of fumbling
Fitting the clumsy helmets just in time,
But someone still was yelling out and stumbling
And flound’ring like a man in fire or lime.—
Dim through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams before my helpless sight,
He plunges at me, guttering, choking, drowning.
If in some smothering dreams, you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil’s sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,—
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.
Notes:
Latin phrase is from the Roman poet Horace: “It is sweet and fitting to die for one’s country.”

Poem 11: Ofermod by Melissa Range

“Now, tell me one difference,” my sister says,
“between Old English and New English.”

Well, Old English has a word for our kind
of people: ofermod, literally

“overmind,” or “overheart,”
or “overspirit,” often translated

“overproud.” When the warrior Byrhtnoth,
overfool, invited the Vikings

across the ford at Maldon to fight
his smaller troop at closer range,

his overpride proved deadlier
than the gold-hilted and file-hard

swords the poet gleefully describes —
and aren’t we like that, high-strung

and ofermod as our daddy and granddaddies
and everybody else

in our stiff-necked mountain town,
always with something stupid to prove,

doing 80 all the way to the head of the holler,
weaving through the double lines;

splinting a door-slammed finger
with popsicle sticks and electrical tape;

not filling out the forms for food stamps
though we know we qualify.

Sister, I’ve seen you cuss rivals,
teachers, doctors, bill collectors,

lawyers, cousins, strangers
at the red light or the Walmart;

you start it, you finish it,
you everything-in-between-it,

whether it’s with your fists,
or a two-by-four, or a car door,

and it doesn’t matter that your foe’s
stronger, taller, better armed.

I don’t tell a soul when I’m down
to flour and tuna and a half-bag of beans,

so you’ve not seen me do without
just to do without, just for spite

at them who told us,
“It’s a sin to be beholden.”

If you’re Byrhtnoth
lying gutted on the ground,

speechifying at the troops he’s doomed,
then I’m the idiot campaigner

fighting beside his hacked-up lord
instead of turning tail,

insisting, “Mind must be the harder,
heart the keener, spirit the greater,

as our strength lessens.”
Now, don’t that sound familiar?

We’ve bought it all our lives
as it’s been sold by drunkards,

bruisers, goaders, soldiers,
braggers with a single code:

you might be undermined, girl,
but don’t you never be undermod.

Poem 10: Notes on the Art of Poetry by Dylan Thomas

I could never have dreamt that there were such goings-on
in the world between the covers of books,
such sandstorms and ice blasts of words,,,
such staggering peace, such enormous laughter,
such and so many blinding bright lights,, ,
splashing all over the pages
in a million bits and pieces
all of which were words, words, words,
and each of which were alive forever
in its own delight and glory and oddity and light.

Poem 9: Attack of the Crab Monsters by Lawrence Raab

Even from the beach I could sense it—
lack of welcome, lack of abiding life,
like something in the air, a certain
lack of sound. Yesterday
there was a mountain out there.
Now it’s gone. And look

at this radio, each tube neatly
sliced in half. Blow the place up!
That was my advice.
But after the storm and the earthquake,
after the tactic of the exploding plane
and the strategy of the sinking boat, it looked

like fate and I wanted to say, “Don’t you see?
So what if you’re a famous biochemist!
Lost with all hands is an old story.”
Sure, we’re on the edge
of an important breakthrough, everyone
hearing voices, everyone falling

into caves, and you’re out
wandering through the jungle
in the middle of the night in your negligee.
Yes, we’re way out there
on the edge of science, while the rest
of the island continues to disappear until

nothing’s left except this
cliff in the middle of the ocean,
and you, in your bathing suit,
crouched behind the scuba tanks.
I’d like to tell you
not to be afraid, but I’ve lost

my voice. I’m not used to all these
legs, these claws, these feelers.
It’s the old story, predictable
as fallout—the rearrangement of molecules.
And everyone is surprised
and no one understands

why each man tries to kill
the thing he loves, when the change
comes over him. So now you know
what I never found the time to say.
Sweetheart, put down your flamethrower.
You know I always loved you.

Poem 8: Pangur Ban translated by Seamus Heaney

From the ninth-century Irish poem

Pangur Bán and I at work,
Adepts, equals, cat and clerk:
His whole instinct is to hunt,
Mine to free the meaning pent.

More than loud acclaim, I love
Books, silence, thought, my alcove.
Happy for me, Pangur Bán
Child-plays round some mouse’s den.

Truth to tell, just being here,
Housed alone, housed together,
Adds up to its own reward:
Concentration, stealthy art.

Next thing an unwary mouse
Bares his flank: Pangur pounces.
Next thing lines that held and held
Meaning back begin to yield.

All the while, his round bright eye
Fixes on the wall, while I
Focus my less piercing gaze
On the challenge of the page.

With his unsheathed, perfect nails
Pangur springs, exults and kills.
When the longed-for, difficult
Answers come, I too exult.

So it goes. To each his own.
No vying. No vexation.
Taking pleasure, taking pains,
Kindred spirits, veterans.

Day and night, soft purr, soft pad,
Pangur Bán has learned his trade.
Day and night, my own hard work
Solves the cruxes, makes a mark.